One day recently, on a table in Jean Oh’s lab in the Squirrel Hill neighborhood of Pittsburgh, a robot arm was busy at a canvas. Slowly, as if the air were viscous, it dipped a brush into a pool of light gray paint on a palette, swung around and stroked the canvas, leaving an inch-long mark amid a cluster of other brushstrokes. Then it pulled back and paused, as if to assess its work. Read the full story at the New York Times